SimpleMusicSecrets.com Blog

November 4, 2009

memorization, do the hard part first

Filed under: Uncategorized — Tags: — editor @ 10:42 pm

sms-background-2-tone-blue-on-whiteLately I have been thinking about what methods I use to memorize songs. I am a guitar player and singer so I play the song on the guitar endlessly until the song can play naturally without me having to remember it per se.

I break it into sections, intro, stanzas or verses and ending. Your particular song may be in a different form but the concept is the same.

I try it in different keys to find the best key for my voice and also differrent keys on the guitar require different techniques and may provide me with insight or inspiration. Sometimes you find things you would not have thought of before simply by playing in a different key.

I find that if there are particular sections that are difficult or have a challenge of some sort that I need to work on this section first in my practice. This makes sure I do not overlook it and get lazy. If I always play through the song and stop when I get to the “hard” part then I will not ever get past it and it will actually become part of the final version. You must face yoru demons and work on the hard part.

Oh and the last part is to remind you that there are no shortcuts really. You have to play the song over and over and over and over and over…….

How To Sing

October 31, 2009

Sound Systems

Filed under: Uncategorized — Tags: — editor @ 10:08 pm

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When you go into an area to perform your music, you have to have some way to amplify your sound so that the audience may hear you. This is done through a series of equipment called a PA System (Personal Amplification System) It is important to be capable of operating this machinery, because if you do not possess your own, you will more than likely be using somebody else’s. So what does a PA system consist of?
The first and most important piece of equipment needed in order for the system to function, is a Mixing Board. The Mixing Board varies in size, and consists of channels. These channels are used to amplify several instruments at once. On every channel, there is an equalizer. This is so that when all of the instruments are amplified together, to may mix them into a much more manageable sound. Some mixers also contain effects loops. These are used to place musical effects on the master output of your sound.

The Next most important piece of equipment that you are going to need is a set of speakers. PA’s can hold anywhere from 2 to 50 speakers, depending on how big the amplification system is, and how many watt’s it is able to run off of. Speakers need to be positioned at angles to where they fill the entire area with sound waves that blend together. Another type of speaker that more experienced people use, are called monitors. Most Monitors are placed on the floor and are facing up. They provide the performing artist’s with sound as well so that they are able to hear themselves in order to play or sing.

Another must have in the system, is a couple of good live audio microphones. Shure Microphones seem to work very well in this genre. It is important to designate a few channels on your PA system to your microphones, and keep it that way so that you do not have to constantly rework your settings. A very affective way to keep up with your microphone’s channels is to place color coated tape on the microphones, and their corresponding channels.

There are many more required pieces of equipment, such as instruments, cables, effect pedals, powered mixers, etc. But in order to start simple and learn as you progress, you must have a grasp on this basic knowledge. The best teacher is experience, and the best student is the active one. Try working a soundboard for local shows, or asking experienced personnel about them in order to learn more. It is always good to take in as much information on this industry and its requirements as you can, in order to produce a more productive and effective performance.

Learn music

October 19, 2009

Four Steps to Choosing Your First Musical Instrument

Filed under: Uncategorized — Tags: — editor @ 9:07 pm

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You are looking to find an instrument for yourself, or perhaps your child. You want to pick the right one, but it is so overwhelming! Woodwinds, piano, brass, strings, and percussion, and that’s just the groupings. How can you decide which instrument is right for you?

Do some Research

Here are few suggestions that will help you to narrow down the search. First, do some research into what the different instruments sound like. You do not want to be stuck playing, or listing to someone play, an instrument you cannot stand the sound of. Check out some orchestra CDs from your local library, or go online to find sound clips of different instruments. A music teacher may be able to demonstrate the sound of some instruments for you. Sergei Prokofiev’s “Peter and the Wolf” is a great piece that showcases several instrumental solos.

Try Some Out

Once you have found a few sounds that please you, see if you can try some out. If you know someone who plays an instrument, ask them if you can try it. They may not want to let you put your mouth on their mouthpiece, but you can at least hold the instrument and feel how it feels in your hand. Also, if you are looking for an instrument for your child, their school orchestra teacher will most likely have some student models they can try. Some music stores may be willing to let you try an instrument. Keep in mind that you will not play a symphony on the first try, but you do want to have an instrument that feels somewhat comfortable in your hands.

When looking at an instrument, there are some physical capabilities you need to consider. For example, if you have tiny hands, you may have trouble reaching some chords necessary to play the piano. The trombone requires relatively long arms, and a child that is younger than fifth grade is probably too small for it. Kids with braces will have a difficult time beginning a brass instrument, as the pressure on their teeth will be painful. Think about the size of the arms, hand, and mouth of the person you are choosing and instrument for, and try not to force them into something that is too big or small for their build.

Match with personality

Next, think about the new musician’s personality. A quiet, shy young person is most likely not going to be comfortable with a loud brass instrument. Likewise, the tough football player would be mortified playing the flute. Piano students need to be capable of working on their own, while band students need to enjoy working in groups. Think about your home environment too. Is there a place where the student can practice? If space is at a premium, choose a smaller instrument. If there are close neighbors, think of quieter instruments.

Think about your budget.

The fact is, some instruments take more financial dedication than others. For instance, strings have to be upgraded as the student grows, whereas a brass instrument usually comes in one size. Also, keep in mind the repairs the instrument will need, whether it be tunings for a piano, strings for a violin, or reeds for a clarinet. These considerations may help you decide between one or two once you have narrowed it down.

The bottom line is, choose an instrument you can see yourself or your child enjoying. Practicing an instrument is hard work, and in order for it to pay off, you need to enjoy it. By taking time to choose your first musical instrument, you will ensure that you have made a choice you can stick with until the final curtain call.

choose your instrument

learn music

October 17, 2009

7 Reasons Why You Should Learn to Read Music

Filed under: Uncategorized — Tags: — editor @ 3:41 pm

sms-background-2-tone-blue-on-white1. Essential to communicating with other musicians. Music is a language unto itself. Given that, how can you communicate if you cannot speak it? Ensembles, bands, choirs, opera, jazz all operate on the written notes first. Way before improvisation was the written note. Simply put, if you cannot read you will never be in any ensemble that requires it.

We could really stop right there.

2. Essential to understanding theory. The theory of music is by necessity based on the written note. All of the structure of chords, melody, harmony and so forth can only be understood completely through the written note. I know you say well this is boring, but someday you will be so glad you started now.

3. Learn a song without any other reference. You will not have to replay the tape or cd a million times or learn from someone else. How many times can you try to learn from a cd or from someone else and not know if you got it right? If you can read you can go straight to the book and get all of the basic information on your own. This greatly speeds up the learning curve. You cannot learn from a book the particular way a band performs the song, but you can get the basis of the song and go from there.

4. Know the way the author of those songs meant for them to sound. This is very interesting I think. I have many times been very surprised to find out a song was written very differently than I have always heard it performed. Perhaps the performer left of the “intro” for example. “Georgia On my Mind” by Hoagy Carmichael for example. Nobody plays the intro. Also there are other examples. I know this example is an old song that many of you may not know, but the fact remains that just because you have heard it on the radio a million times does not mean it was written that way. It may be even better the way the author originally intended it! If you are a song writer I am sure you would want people to know the way you wrote it. Think about that for a moment. Copy of iStock_000001970161Small

5.Discover new music. It is a wonderful thing to “find” music just because you are leafing through a songbook and you find something that really speaks top you. I have found many this way. These are songs that I absolutely love. I would never have known they existed without being able to read. 6.It is Fun! It may seem a little hard at first, but so was riding a bicycle as I recall. In fact the first time my father let go from holding me on a bicycle I ran into a post and knocked it over! I rarely do that these days now that I have learned how. In fact there are days when I don’t knock anything over.

7. It will make you a better musician. This may go without saying, but it really bears repeating. After all, don’t we all want to be a better musician? Of course we do. Are you prepared to discover new music, perform with people you might never have met otherwise, speak with authority about the origins and intent of a particular piece of music or composer? I think I know the answer. Learn to read music, you will not be sorry.

learn to read music

October 15, 2009

What Is A Percussion Instrument?

Filed under: Uncategorized — Tags: — editor @ 6:37 pm

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If you know more than one or two instruments in the percussion family, you know more than the average Joe. Some instruments in the percussion family are not often thought of as being a percussion instrument. Even though you will strike a drum head and a cymbal if you are in the percussion section of an orchestra, there is so much more to it than that. If you could take away the percussion from an orchestral piece you would see how vital it is to the overall sound. Drums are not the only percussion as we will see. You will greatly enlarge your knowledge of music as a whole if you learn one or more of the instruments in the percussion category.drumkit200x200

Percussion is defined as the striking of one body against another with some sharpness; impact; blow. The sound of the piano is made when the hammer strikes the strings and is often forgotten as being a percussion instrument. Pianos are strictly known as a chordophone as it is a stringed instrument but the fact that the sound is produced by a hammer striking strings also makes it a percussion instrument. Open the piano and see how the hammers strike the strings to understand the effects of percussion. Music is made in so many ways, percussion is only one.

Percussion can be divided into groups as follows. Idiophones are that which produce sounds through the vibration of their entire body and membranophones and are defined as instruments that have a stretched membrane. Xylophone, drum cymbals and bells are all examples of idiophones. Membranophone examples are congas, bongos and the tom tom. Percussion can also be further sub-divided into instruments that produce a definite pitch or do not produce a definite pitch.

As many instruments in this area can produce defined pitches, players are often required to learn to read music as it is essential to playing.

October 14, 2009

Marching band, no easy feat

Filed under: Uncategorized — Tags: — editor @ 9:44 pm

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To participate in a musical marching band involves not only memorizing music, but moving in time and co-ordination with others. Playing music that is memorized is hard enough, but couple it with marching as a group and you have a real challenge. The synchronisation of the band will help you learn the steps after you have memorized the music. As you learn the music, listen for patterns and repeats that will make it simpler to remember. If you need help with learning to read music, ask your instructor.

Suggestions for learning the music

Marching Band

Marching Band

Look for any patterns in the beginning, middle and ending sections. When looked at in this way, the time for memorizing is less. The parts in band are often played by more than one instrument. Listen to what the others are playing if you get lost. Do not try to learn the music as a whole all at once. Play a phrase with the music and then try to repeat what you just played without the music. After memorizing the first phrase, connect it to the next by repeating the process.

The ultimate challenge of memory and co-ordination

You can be proud of your accomplishments in marching band after you learn the basics. Quick tips for memorizing are as follows:

If it is possible, work on the music first and then begin to incorporate the marching afterward.

Divide the music into its component bite-sized chunks so it is simpler to work with.

Look for sections that repeat.

Parts are often played by other instruments also. Listen to the other parts if you get lost.

Choosing an instrument may be hard if this is your first exposure to music. This could be a good time to try an instrument and see if you like it.

October 12, 2009

The Making Of A Guitar, History And Art

Filed under: Uncategorized — Tags: — editor @ 7:50 am

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How is a guitar made and what is it made from? How has the passage of time affected the guitar?.  Making a guitar is part art and part science. Wood has always been king of the guitar but composite materials have also now come into play. The metal parts of the guitar also have progressed to a very sophisticated level. The making of a guitar has not changed very much over many centuries. The entire world contributes to the guitars we have today in the woods that come from these countries.

The neck of the guitar is most often made from maple, a very hard wood. The truss rod is now used to resist the twisting force applied to the neck.

Hard woods such as ebony and rosewood are often used for the fret board of the guitar. In addition to being very dense these materials are also hard wearing and will last a lifetime. Fret boards may last a very long time if taken care of properly.

For many years the tuning pegs of a guitar were exactly that, a wooden peg with the string wrapped around it. Now more precise adjustments are possible with machined tuning heads. Also part of the improvement in tuning is the adjustable bridge. With machine heads and adjustable bridges it is now possible to get  in tune and stay in tune.The guitar tuner is also a large contributing factor that allows guitar players everywhere to be in tune all the time.iStock_000010196445XSmall

The electrical pick was a major landmark in the history of the guitar. The pickup has evolved from crude to sophisticated. From the simple beginnings of the pickup came the electric solid body guitar of today. Now the pickup allowed the guitar to be heard with a drummer or a band. A small pickup changed the history of the guitar for all time.

The guitar has changed in technology and material, but not in spirit.
Guitar Making

October 11, 2009

Be a Star By Serving The Music, Sing Backup

Filed under: Uncategorized — editor @ 3:25 pm

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To sing backup, you must learn to serve the music, not yourself. The meaning of singing backup is to sing behind someone, not compete with them. Backup singing is for those who can becontent playing a support role to the idol of the show.

This is a difficult skill to learn and is not much understood or appreciated. The ability to listen and be responsive  is paramount is this style of singing. You have to begin and end the phrase exactly as the main singer does, you must breathe as they do. It may well be good to think of yourself as the singers shadow, never noticed but always present.

Hopefully you have some input or control over where you sit or stand on stage. See to it that you can see the singer at all times. If you cannot see the face of the singer your job will be difficult indeed. You must watch the main singer always. If you are watching the singer you can see when they make a mistake or intentionally take another repeat etc. Watch the singer intently and always be on the lookout for a simple nod of the head or gesture that may indicate a repeat or change of course.

Learn to blend your phrasing to the will of the singer. You can start your line just behind the singers melody if you want to blend properly. Sometimes you are not sure of how loud the singer will be so start quietly and gradually come up to the proper level after the line develops. Be very aware of consonants at the beginning of a line and try to not emphasize them. Two consonants sung slightly after each other will sound disagreeable and is largely avoidable.

The end of melodies are just as necessary as the beginning. You can avoid embarrassment to yourself if you only will ease off your phrase as the singer comes to the end of theirs. So learn to blend phrases, listen and watch the main singer and you can be a backup singer every band wants to hire.
Sing Backup

October 8, 2009

Vintage guitars

Filed under: Uncategorized — editor @ 8:09 pm

sms-background-2-tone-blue-on-whiteThe guitar is one of the most versatile instruments in the world, and they become more flexible as manufacturing techniques improve and new design ideas are incorporated. So why is it that so many experienced guitar players desire to own a vintage guitar? Surely, a new, modern guitar would be best? This is simply not so, and below we will explore why.

First and foremost, like good wine, a quality guitar can mature with age. Overall, the tone of the guitar will usually mellow, as the wood the instrument is constructed from continues to harden over time.

Les Paul guitar

Les Paul guitar

Scarcity is also a big factor when deciding if a guitar should be considered vintage or not. Certain manufacturers such as Martin, were famed for producing very short production runs of individual designs. As certain designs were found to age very well, the scarcity of the actual units produced made them instantly vintage.

For some models, such as the famed Les Paul Gold Top, it is the actual finish of the guitar, which makes them desirable. This particular model used bronze as part of the dye to turn the top of the guitar golden in color, and with age, the bronze content takes on a greenish tint.

For other models, such as the Fender Stratocaster, the vintage models date back to a certain era of the corporation which manufactured them, back to a time when manufacturing and quality control processes were deemed to be far better, this produces a superior instrument.

Lastly, we have short run, often termed “signature” guitars. These are often endorsed by a well-known musician, and will incorporate design concepts upon the advice of said musician. Fender in particular is noted for the number of signature series guitars they produce, and although not all of these can currently be considered vintage models, there is no doubt that they will eventually be seen as such.

An offshoot of the whole vintage guitar scene is that of vintage amplification. Certain amplifiers, such as the VOX AC30, and the Fender Bluesbreaker, along with many of the older Marshal amplifier heads and speaker cabinets, are noted for their particularly rich sound reproduction capabilities. Almost always, these amplifiers will use older tube-based circuitry, which give a much warmer sound. Although some of the early MOSFET amplifiers are also become desirable.

Many vintage guitars are to be found in the hands of collectors; quite often, these owners will not even be capable of playing the instrument with any great expertise. Instead, they take pleasure from owning a little piece of music history in the form of the instruments which produced all of those classic sounds which we still hear today.

Vintage guitars not only offer the musician a better playing experience, they also allow the owner to take loving care of a piece of history. Many of the vintage instruments we see today, have been entirely restored, at great expense, to make them look, sound and play as close to the original manufacturing specification as possible.

The Guitar

October 7, 2009

How to Prepare a Music Solo

Filed under: Uncategorized — editor @ 5:06 pm

sms-background-blue-on-whiteTo play solo is to expose your faults as well as talents. It can be challenging and rewarding. Your solo can be in a quiet setting alone with your guitar or with a band or orchestra. The hard work and dedication it takes to get there remains the same however. First you must comprehend the music you will be performing by heart.

Excellent examples of good solo instruments are the piano and the guitar. Both instruments share the benefit of being able to accompany themselves. Other instruments are devoid of these same features.

prepare a music solo

prepare a music solo

The music you play can make all of the difference in your performance so choose wisely. The music available to you in your situation will vary widely and may take some study to decide which is best. See if there are any special requirements for sound amplification. Does it need more or less sound? Is there extra noise coming from another business or traffic etc?. There are times when you may not need any amplification at all if the venue is intimate. Dress well and be confident. Confidence will build as you do even the smallest act with assurance.

It is best if you can stand while you play if the situation is appropriate. No matter the type of music, the principles of knowing the music and then expanding with your solo remain the same. In order to get ideas for your solo, listen to other musicians solos and expand upon them. If it is possible to have rehearsals in the venue prior to performing by all means do so.

Preparing a solo is a task that every performing secretly wants and dreads at the same. The solo offers a unique opportunity for recognition. The solo may take a great deal of preparation and effort, but the end result will be worth it. If you follow these tips you will go a long way to performing your solo well.
Music Solos

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